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Mechanical Venus
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The
beauty and feminity of the Venus gives take out "the" inspiration to
many
artists. "Mechanical
Venus" by Izabella Pavlushko is a completely new and modern
take out "solution of" expression of the Venus' essence. The artist considers
it from
the position
of constructive
mechanics. In contrast to artists such as R.Velasques
and P.Rubens, "Mechanical
Venus" does not lie in front of the mirror, but constitutes
a single, unified
whole
with it.
The artist shows composition if two planes of
mirror
are
crossing at a angle of 95º relative
to one another. They symbolize the
beginning
and the
end.
........
Current nanotechnologies aim at bringing the man to change and
transforming
him into a certain biological-mechanical model. Izabella
skillfully rendered a state of
absurdity and doom of the object. In
the piece by P.Picasso, "Acrobat on a ball",
the
athlete's character has the same doom.
......
In "Mechanical Venus" the whole figure composition is held up by
white, round
spaces over the colored figures. Color composition is
balanced by dark blue and
black figures.
Monumental composition is confirmed by the artist with application of a
complex
texture of color planes looking like polished crystals of
rocks.
r>
At the same time, "Mechanical Venus" is full of grace in spite of awkward, crude
forms. All of this achieved by a green oval symbolizing
Venus' abdomen
with a hint
of
carrying
child under her heart. The same elements of grace present at the top-
a
symbol of a hand
and at the foot - symbol of a leg.
Izabella Pavlushko managed to
expose not only the state of the object, but the
changing
evolutional/mechanical world which always breaks and shreds the
nature.
N.
P.
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